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Plot Summary: Have you ever enjoyed your work. Really enjoyed your work? If you haven't, then you must see and meet 'The Dancers'. Jackie, road manager of the dancers know as 'The Dreams', takes his entourage to the small town of Key City.

• The Dancers 1981 Download In Hindi
• Dancers 1981
• American Bandstand Dancers 1981

DanceAfrica is a heritage and community celebration centered on the diverse dance forms of the African Diaspora held annually in New York City, Washington, DC, and Chicago. Included are indoor and outdoor performance including live music, a film series, master classes, education programs, and an outdoor bazaar. Its current artistic director is Abdel R. Salaam.^[1]

• 1DanceAfrica NYC

DanceAfrica NYC[edit]

History[edit]

The political movements in the 1960s and the growth of dance in the 1970s led to the development of a number of African American dance companies. The celebration DanceAfrica, created by Chuck Davis, built on the momentum of those 1960s and 70s movements through its showcase of African and African-American traditions and art forms. In the 1940s and 1950s, an African American cultural awareness emerged, seen in performances by Pearl Primus and Katherine Dunham at BAM, the dance focus was shifted from entertainment toward modern dance while integrating African elements. In the 1960s, Alvin Ailey, Talley Beatty, and Donald McKayle appeared at BAM. These artists were based at the Harlem Cultural Center with the New Dance Group when Chuck Davis arrived in the early 1960s. Davis moved to New York City to perform with musician Babatunde Olatunji; he also studied Dunham technique and jazz with Syvilla Fort. In 1967 Davis formed the Chuck Davis Dance Company at the South Bronx Community Action Theatre, later moved to Bronx Community College.

In February 1977, the Chuck Davis Dance Company performed in a constructed African village in the BAM Lepercq Space. Based on the success of the engagement, DanceAfrica debuted the following spring beginning with a day-long African bazaar. Arthur Hall, Charles Moore, Chuck Davis, Dinizulu, and the International Afrikan American Ballet participated in the festival, which offered five performances in the BAM Playhouse and culminated with all five companies—approximately 70 performers—on the Opera House stage. A festival was born, growing into the country's largest annual celebration of African and African American dance and, adding dates in other cities such as Chicago; Washington, DC; Los Angeles; Miami; Minneapolis; Philadelphia; Pittsburgh; and many others. Dallas recently made the festival an annual event. DanceAfrica is BAM’s longest running performance series—and has become a Memorial Day weekend tradition in Brooklyn. Weddings, christenings, and other ceremonies have taken place during DanceAfrica—transcending performance and becoming ritual—a community’s celebration of African identity. Rennie Harris is also one choreographer.

In the 1980s Chuck Davis added master classes in African movement and music. DanceAfrica 1993 opened with a motorcade procession from Harlem to the steps of BAM. Fifty-two members of the Imperial Bikers Motorcycle Club, each carrying the flag of an African country, were joined by the Council of Elders, artists, and dignitaries for a libation pouring ceremony that included a gigantic carrot cake baked in the shape of Africa. The 20th Anniversary Celebration in 1997 debuted the BAM/Restoration DanceAfrica Ensemble, a collaboration between BAM and the Bedford Stuyvesant Restoration Corporation’s Youth Arts Academy that has become an annual crowd favorite.

DanceAfrica has showcased troupes based both in Africa and the African Diaspora including many from New York. Companies have ranged in style from indigenous African to urban American hip-hop. DanceAfrica has shown that “traditional” African dance is not fixed in time and remains tremendously inclusive and diverse, and that even the most cutting-edge choreography can contain African influences. DanceAfrica embodies tradition, but also a spirit of change and growth reaching back into the past and forward into the future, embracing the links between cultures across the African Diaspora, always bearing the message, “Peace, love, and respect for everybody!”

In 2007, DanceAfrica celebrates its 30th festival with 30 Years of DanceAfrica: Remember! Honor! Respect! An African Dance Odyssey, and marks another milestone—its founder Baba Chuck Davis’ 70th birthday.

Performance history[edit]

200730 Years of DanceAfrica: Remember! Honor! Respect! An African Dance Odyssey
Bambara Drum and Dance Ensemble
Forces of Nature Dance Theatre Company
Kulu Mele African-American Dance Ensemble
Ndere Troupe
Sabar Ak Ru Afriq Dance Theatre
BAM/Restoration DanceAfrica Ensemble

2006Legacy: African Dance in Our World
Creative Outlet Dance Theatre of Brooklyn
Perú Negro
Universal African Dance and Drum Ensemble
BAM/Restoration DanceAfrica Ensemble

2005Rhythmic Heritage: Going Full Circle
Asase Yaa African-American Dance Theatre
L’ACADCO—A United Caribbean Dance Force
Mamadou Dahoué and the Ancestral Messengers Dance Company
BAM/Restoration DanceAfrica Ensemble

2004A Dancers's path: Ancient Traditions, Modern Trends
The Bambara Drum and Dance Ensemble
Ezibu Muntu African Dance Company
Nii Tettey Tetteh and the Kusun Ensemble
Shaka Zulu, guest artist
BAM/Restoration Dancefrica Ensemble and Kusun Atsiagbekor

2003Rhythmic Rites and Rituals: Connecting Cultural Borders
Kulu Mele African-American Dance Ensemble
Muntu Dance Theatre
Resurrection Dance Theatre of Haiti
BAM/Restoration DanceAfrica Ensemble

200225 Years of DanceAfrica: Africa, My Africa
Ballet Folclorico Cutumba
Chuck Davis Dance Company
Charles Moore Dance Theatre
Forces of Nature Dance Theatre Company
Rennie Harris PureMovement
LaRocque Bey School of Dance
Creative Outlet Dance Theatre of Brooklyn
Universal African Dance and Drum Ensemble
BAM/Restoration DanceAfrica Ensemble

2001Rhythms from the Circle of Life
Forces of Nature Dance Theatre Company
Sabar Ak Ru Afriq Dance Theatre
Ndere Troupe
BAM/Restoration DanceAfrica Ensemble

2000Cultural Connections
Djoulé African
Génies Noirs
Rennie Harris PureMovement
BAM/Restoration DanceAfrica Ensemble

1999Hear the Movement See the Rhythm
Ballethnic Dance Company
Mizizi
Ishangi African Dancers
BAM/Restoration DanceAfrica Ensemble

1998African Roots in American Soil: Male Rites of Passage
Mask Dance Company featuring Mamadou Dahoué
Sankofa Dance Company
IWISA Music and Dance Company
BAM/Restoration DanceAfrica Ensemble

1997DanceAfrica ’97: 20th Anniversary Celebration
African-American Dance Ensemble
Bokandéye African-American Dance Theatre
Calabash Dance Theatre
The Chakaba
Charles Moore Dance Theatre
Chuck Davis Dance Company
Dinizulu African Dancers, Drummers & Singers
Djembe Orchestra
Djoulé African
Forces of Nature Dance Theatre Company
LaRocque Bey Dance Company
Marie Brooks Pan-Caribbean Dancers
Mask dance Company
Moving with the Spirit
Nile Ethiopian Ensemble
N’Tore
PAKA’ Dance Company
Rennie Harris PureMovement
Restoration Student Dance Ensemble
Roots of Brazil
Sabar Ak Ru Afriq Dance Theatre
Women of the Calabash

1996Rites of Passage: Celebrating Women of the African Diaspora
Rennie Harris PureMovement
Women of the Calabash
Nile Ethiopian Ensemble
Bokandéye African-American Dance Theatre

1995Honor the Source—Africa the Motherland
Dinizulu African Dancers, Drummers & Singers
Roots of Brazil
Paká Dance Company
Djoulé African
Rennie Harris PureMovement

1994Year of the Child
Les Guirivoires
Marie Brooks Pan-Caribbean Dancers
Moving with the Spirit
TriShades of Gold
Djoulé African

1993DanceAfrica 1993 Sweet 16!
Dinizulu African Dancers, Drummers & Singers
Charles Moore Dance Theatre
A Touch of Folklore and More
Maimuna Keita School of African Dance
Djimo Kouyate
African Heritage Drummers and Dancers
Malaki Ma Kongo
Kairaba West African Dance Company
LaRocque Bey Dance Company
Sabar Ak Ru Afriq Dance Company
Calabash Dance Theatre
Bradley Simmons and the Dance Africa Djembe Orchestra
Forces of Nature Dance Theatre Company
International African Islamic Ballet
Kan Kouran Dance Company
Chuck Davis Dance Company
Women of the Calabash
Ntore Dancers
Art of Black Dance And Music
DanceBrazil
African-American Dance Ensemble
Kutero and the DanceAfrica Djembe Orchestra
Baba Ishangi

1992The Glory of African Dance: A Cultural Jubilee
International African Islamic Ballet
Kairaba West African Dance Company
LaRocque Bey Dance Company
Malaki Ma Kongo
Alyo Children's Dance Theatre
A Touch of Folklore and More

1991The Griot's Corner
African-American Dance Ensemble
Forces of Nature Dance Theatre Company
Ladygourd Sangoma
A Touch of Folklore and More

1990
Dinizulu African Dancers, Drummers & Singers
Forces of Nature Dance Theatre Company with guest artists Thunderbird American Indian Dancers
Magic Dancers of Zaire

1989The Language of the Drum, The Movement of Dance, The African Beat Creates Dance
Les Guirivoires
M.F.O.A. Message from Our Ancestors
Muntu Dance Theatre

1988Today's Rhythms, Drums Toward the Future, Reflections of Africa
Urban Bush Women
Les Guirivoires
Sabar Ak Ru Afriq Dance Theatre

1987Under the Baobab Tree: The Honoring of the Elders
The African-American Dance Ensemble
Calabash Dance Theatre
Dinizulu African Dancers, Drummers & Singers
Arthur Hall Afro-American Dance Ensemble
Kan Kouran Dance Company
Charles Moore Dance Company
Sabar Ak Ru Afriq Dance Theatre
Women of the Calabash
Djimo Kouyate

1986The Legacy: Celebration of Motherhood
Chuck Davis Dance Company
Calabash Dance Theatre
Forces of Nature Dance Theatre Company
Kan Kouran Dance Company
Odadaa! International Dance Company
Sabar Ak Ru Afriq Dance Theatre

1985The Grand Celebration
Ko-thi Dance Company
Arthur Hall Afro-American Dance Ensemble
International Afrikan American Ballet
Bernice Johnson Dance Company
Chuck Davis Dance Company
Muntu Dance Theatre
Charles Moore Dance Theatre
Izulu Dance Theatre
Art of Black Dance and Music
Dinizulu African Dancers, Drummers & Singers
Sabar Ak Ru Afriq Dance Theatre
A Touch of Folklore and More
Calabash Dance Theatre
Women of the Calabash

1984
Bucket Dance Theatre
Afro-Brazilian Dance Company
Melvin Deal's African Heritage Dance Society
Dinizulu African Dancers, Drummers & Singers
Charles Moore Dance Theatre
International Afrikan American Ballet
Women of the Calabash

19836th Big Season
Dinizulu African Dancers, Drummers & Singers
International Afrikan American Ballet
Izulu Dance Theatre
Art of Black Dance and Music
Chief Bey
Calabash Dance Theatre
Women of the Calabash
A Touch of Folklore and More
dancers from the Bernice Johnson Cultural Arts Center

1982DanceAfrica 82
Muntu Dance Theatre
Ladji Camara
Charles Moore Dance Theatre
Izulu Dance Theatre
Lady Helena “O’Luoju” Walquer
Sabar Ak Ru Afriq Dance Theatre

1981The First National Festival of African American Dance Companies
Dinizulu African Dancers, Drummers & Singers
Chuck Davis Dance Company
Charles Moore Dance Theatre
International Afrikan American Ballet
Izulu Dance Theatre
Art of Black Dance and Music
Muntu Dance Theatre
Ko-Thi Dance Company

1980A Festival of African-American Dance Companies
Dinizulu African Dancers, Drummers & Singers
Chuck Davis Dance Company
Charles Moore and Dances & Drums of Africa
International Afrikan American Ballet
Izulu Dance Theatre

1979DanceAfrica ‘79
Dinizulu African Dancers, Drummers & Singers
Chuck Davis Dance Company
Charles Moore and Dances & Drums of Africa
International Afrikan American Ballet
Little Black Heritage Dancers

1978A Celebration of Life
Chuck Davis Dance Company
Dinizulu African Dancers, Drummers & Singers
Arthur Hall Afro-American Dance Ensemble
Charles Moore and Dances & Drums of Africa
International Afrikan American Ballet

1977
Chuck Davis Dance Company
Lepercq Space

The Dancers 1981 Download In Hindi

DanceAfrica DC[edit]

Since 1987, annually in June, Chuck Davis serves as the master of ceremonies of the Festival in Washington, DC, hosted by Dance Place.

DanceAfrica, DC is a jubilant annual celebration of the cultural vitality of Africa and its diaspora in DC. Inspired by the Brooklyn Academy of Music's festival and under the guidance of Dr. Baba Chuck Davis, Dance Place spearheaded its own unique format and traditions for this vital and vibrant celebration in 1987. Today, Director of Dance Place's African Dance Program Sylvia Soumah serves as Artistic Director and Griot since the passing of our much beloved Baba Chuck Davis in 2017. DanceAfrica, DC is one of the longest running arms of this nationwide phenomena, celebrating over 30 years of education, artistry and advocacy for African culture in our nation's capital.

DanceAfrica Chicago[edit]

DanceAfrica Chicago began in 1990 and is presented by Columbia College Chicago. The Festival did not occur between the years of 2006-2007.

External links[edit]

• Dance Place

This is a list of Top of the Pops dance troupes.

• 1Chronology

Chronology[edit]

January to October 1964 – no dance troupes[edit]

In the era before promotional videos were routinely produced for every charting single, the BBC would frequently have neither the band themselves nor alternative footage available for a song selected for the programme. In the first few months of the show in 1964, the director would just scan across the audience dancing in the absence of any other footage, but by October 1964 a decision was made to at least occasionally bring in a dance troupe with a choreographed routine to some of the tracks^[1] as a third option, and also to encourage the audience to dance in the show 'otherwise they'd just stand around looking gormless'.^[2]

November 1964 to April 1968 – The Go-Jos[edit]

An initial candidate troupe was the existing BBC TV Beat Girls, but an ex-dancer from the Beat Girls, Jo Cook, was eventually engaged to create a troupe, the all-female Go-Jos.,^[3][4] with Cook as choreographer. The Go-Jos also worked outside of Top of the Pops, notably for two years on the Val Doonican show ^[5] – Doonican said in 1968 “I thought the Gojos were fabulous, something really new. When I got my own television series I just had to have them with me.” ^[6]

They were initially a three-piece (Pat Hughes for the first edition only, Linda Hotchkin and Jane Bartlett), but their number eventually grew to six (Hotchkin, Bartlett, Lesley Larbey, Wendy Hilhouse, Barbara van der Heyde and Thelma Bignell) with Cook as full-time choreographer. Lulu remembered of their costumes 'They mostly wore white boots to the knee and short skirts and the camera would go up the skirt and it was all very risqué.' ^[7]

Their Top of the Pops dancing style was critically described by a later performer as 'very typical of the 1960s: hands on your hips, wiggle from side to side, wave your arms in the air and shake your head madly till it almost comes off',^[8] though Cook herself said of working on the Doonican show (of which she was dance director) comparing to Top of the Pops, “Pop steps are limited..With Val we have more scope, and we can work to get more of the feel of ballet into our numbers.”^[6]

May to June 1968 – Go-Jos/Pan's People transition[edit]

In April 1968, a Top of the Pops choreographer, Virginia Mason,^[9] auditioned for dancers for a routine on Top of The Pops (Simon Says by the 1910 Fruitgum Company); two of whom that were successful (Ruth Pearson and Patricia 'Dee Dee' Wilde) were part of the existing six-female dance troupe, Pan's People.^[10] Like the Go-Jos, this group was also partly drawn from ex-members of the Beat Girls.^[11]Although this routine did not make it onto the programme itself, in subsequent weeks, members of Pan's People (Louise Clarke, Felicity 'Flick' Colby, Barbara 'Babs' Lord, Pearson, Andrea 'Andi' Rutherford and Wilde) started to appear on the programme separately to the Go-Jos. Pan's People were then selected by the BBC over the Go-Jos when they chose a group to be the resident troupe.^[12] The Go-Jos' final Top Of The Pops performance was in June 1968 dancing to Jumping Jack Flash by The Rolling Stones.

July 1968 to April 1976 – Pan's People[edit]

As with the Go-Jos, in the first eighteen months of the Pan's People era the dancers were not a weekly fixture on the programme.^[13] However, due to group fan mail and good viewing figures, by 1970 the group was on nearly every week.^[14] Their profile was raised to such a degree they were 'transformed from jobbing dancers to Thursday-night superstars'.^[15] Pay was not high, they were paid the minimum equity rate of £56 per week.^[16]One of the original Pan's People dancers, Colby, became full-time choreographer in 1971.^[17]Colby spoke of the dancing – 'They weren't Broadway-standard routines..we were definitely doing watercolours, not oil paintings.'^[18]

May to October 1976 – Ruby Flipper[edit]

In early 1976, the last remaining of the early members of Pan's People, Ruth Pearson announced her retirement, leaving just four members all of whom who had joined within the last four years; Cherry Gillespie, Mary Corpe, Lee Ward and Sue Menhenick. Rather than continue with this line up or add additional members, it was decided by Colby and BBC production staff to replace this group^[19] with a male and female group created for the programme, Ruby Flipper, choreographed by Colby and managed by Colby with Pearson. Lee Ward left shortly after this decision was made, reportedly saying regarding the change 'It's a big mistake. Men rush home to watch sexy ladies. They do not want to see other men.'.^[20]

Rehearsals for this new group started in March 1976, and the group began appearing on Top Of The Pops in May 1976.Whilst producers were aware of the switch to the new group, Bill Cotton, the then head of the light entertainment unit of which Top Of The Pops was part, was not.This group started as a seven-piece with three men (Gavin Trace, Floyd Pearce and Phil Steggles) and four women (Menhenick, Gillespie, Patti Hammond and Lulu Cartwright). Corpe was not invited to join the new troupe. Trace, Pearce, Steggles and Cartwright joined following open auditions, Hammond, an established dancer, was invited to join to complete the 'look' following a later individual audition.^[21] Colby viewed this gender-mixed group as an opportunity to develop more physical routines including lifts.,^[22] more duets and generally not have the whole group at each performance.

However, by August the BBC had decided to terminate the group due to perceived unpopularity and being '.. out of step with viewers'.^[23] Their final appearance was in October 1976 (by this time Trace and Gillespie had already left, reducing Ruby Flipper to five members), with the senior management insisting on a replacement all-female grouping. Flick Colby recalled of this time “Bill Cotton called me in and said the British public didn’t want to see black men dancing with white women..I argued, but he told me to form another all-girl group or I was out.'^[24]

November 1976 to October 1981 – Legs & Co[edit]

The group created to replace Ruby Flipper was Legs & Co, reverting to an all-female line-up, and once more choreographed by Colby. Three of the six in the initial line-up (Menhenick, Cartwight and Hammond) were taken from Ruby Flipper.^[25] with Rosie Hetherington, Gill Clarke and Pauline Peters making up the six. Despite being an all-female group, on occasion one or more male dancers were brought in, notably Pearce several times.

During their run the group covered the transition from Disco to Punk, Electronic and Modern Romantic music. Notably, they danced to two Sex Pistols tracks, as the Sex Pistols never did a studio performance in this period.^[26]

December 1981 to September 1983 – Zoo[edit]

By late 1981, Legs & Co (by this time Anita Chellamah had replaced Peters) had become more integrated into the studio audience, rather than performing set-piece routines, as a result of the 'party atmosphere' brought in by Michael Hurll. Also by this time Colby was particularly keen to work once more with male dancers; feeling it time for a change, Legs & Co's stint was ended, and a twenty-member dance troupe (ten male, ten female), named Zoo was created, with an set of performers drawn from the pool of twenty each week.^[27] Colby was now credited as 'Dance Director'.^[22] Three members of previous troupes, Menhenick, Corpe and Chellamah, made at least one appearance each during the Zoo period. The dancers now chose their own clothes, moving away from the synchronised appearance of previous troupes.^[28]

October 1983 to 2006 – After Zoo[edit]

By the early 1980s, record companies were offering the BBC free promotional videos, meaning dance troupes no longer fulfilled their original purpose.^[29] Zoo's run ended in 1983, and with it the use of dance troupes on Top Of The Pops.

After the demise of Zoo, the audience took a more active role, often dancing in more prominent areas such as behind performing acts on the back of the stage, and on podiums. However, in addition the show also employed so-called cheerleaders to lead the dancing.

Dancers 1981

Dance Troupe chronology[edit]

American Bandstand Dancers 1981

Go-Jos' first performance: 19 November 1964 – Dancing to Baby Love by The Supremes^[30]

Pan's People first performance (three of the dancers, independently contracted): April 1968 – Dancing to Young Girl by Gary Puckett & The Union Gap^[31] or Respect by Aretha Franklin^[32]

Installing the EntraPass Special Edition Software a. Launch the setup.exe file. Enter the 16 digits serial numbers (XXXX-XXXX-XXXX-XXXX). Click Next and. Feb 12, 2018 - Kantech - System Registration/Software Register Notice to Installers Read the following instructions carefully before you install, register.

Pan's People's first performance (as the six-piece group of early 1968): 30 May 1968 – Dancing to U.S. Male by Elvis Presley^[32]

Go-Jos' final performance: 27 June 1968 – Dancing to Jumping Jack Flash by The Rolling Stones^[33]

Pan's People's final performance: 29 April 1976 – Dancing to Silver Star by The Four Seasons^[34]

Ruby Flipper's first performance: 6 May 1976 – Dancing to Can't Help Falling In Love by The Stylistics^[35]

Ruby Flipper's final performance: 14 October 1976 – Dancing to Play That Funky Music by Wild Cherry

Legs & Co's first performance (credited as ??????): 21 October 1976 – Dancing to Queen Of My Soul by Average White Band^[36]

Legs & Co's first performance (credited as Legs & Co): 11 November 1976 – Dancing to Spinning Rock Boogie by Hank C. Burnette

Legs & Co's final performance: 29 October 1981 – Dancing to Favourite Shirts (Boy Meets Girl) by Haircut 100

Zoo's first performance: 5 November 1981 – Dancing to Twilight by E.L.O.

Zoo's final performance: 29 September 1983 – Dancing to What I Got Is What You Need by Unique

The full-height vertical lines indicate the last performance of each troupe.

References[edit]

1. ^'Ruth Pearson BBC interview'.
2. ^'http://www.dailymail.co.uk/home/event/article-2454794/Pans-People-reveal-scandalised-Mary-Whitehouse-hated-creepy-Jimmy-Savile.html'. www.dailymail.co.uk. Daily Mail. Retrieved 15 September 2014.External link in title= (help)
3. ^'TOTP2 – Pan's People'.
4. ^'Jo Cook interview'. wayback/panspeople. Archived from the original on 28 January 2013. Retrieved 22 September 2014.
5. ^'GoJos – IMDB'. imdb.com. IMDB.
6. ^ ^abTV Times. 1968.Missing or empty title= (help)
7. ^'TOTP 1964'. TV Heaven. Retrieved 18 September 2014.
8. ^'Dee Dee Wilde:Daily Mail Interview'.
9. ^'Virginia Mason – Australia'. StarNow. Retrieved 2015-12-13.
10. ^'Dee Dee Wilde's Top of the Pops memories'. Gazette and Herald. Retrieved 22 September 2014.
11. ^'How we made Pan's People'. Guardian. Retrieved 26 December 2014.
12. ^'Pan's People'.
13. ^'Guardian Dee Dee Wilde interview'.
14. ^Wilde, Dee Dee. 'Dee Dee Wilde remembers getting her kicks in 1973'. Daily Telegraph. Daily Telegraph. Retrieved 15 September 2014.
15. ^'Rihanna and Miley push it too far'.
16. ^'Flick Colby Obituary'. Daily Telegraph. Retrieved 22 September 2014.
17. ^'Flick Colby Obituary'.
18. ^'Flick Colby Obituary'. Guardian. Retrieved 22 September 2014.
19. ^'Ruth Pearson interview'.
20. ^'Sounds Magazine'. 1 May 1976.
21. ^'Sue Menhenick interview'. PansPeople.com. Archived from the original on 28 January 2013. Retrieved 22 September 2014.
22. ^ ^ab'Flick Colby obituary'.
23. ^'Ruby Floppers'. Daily Mirror. 19 August 1976. p. 9.
24. ^'Bruno, Anthea and how NOT to propose..'Daily Mail. Daily Mail. Retrieved 22 September 2014.
25. ^'Phil Steggles interview'.
26. ^'Lulu Cartwright interview'.
27. ^'Legs & Co'.
28. ^'Dee Ivo interview'. panspeople.com. Panspeople.com. Retrieved 27 September 2014.
29. ^'Flick Colby obituary'.
30. ^'Linda Hotchkin interview'. Pan's People. Retrieved 28 December 2014.
31. ^'How we made Pan's People'. Guardian. Retrieved 23 December 2014.
32. ^ ^ab'Ladies of the dance who once ruled top of the pops'. West London Today. Retrieved 26 December 2014.
33. ^'Dolores Bourne interview'. Pans People. Retrieved 28 December 2014.
34. ^'Louise Clark dies'. Telegraph. Retrieved 26 December 2014.
35. ^BBC TOTP2http://www.bbc.co.uk/totp2/trivia/ruby_flipper/philip_steggles/page1.shtml. Retrieved 28 December 2014.Missing or empty title= (help)
36. ^'BBC TOTP2'. Retrieved 28 December 2014.